One of my current of many favorites of the new Kontakt 5 libraries is the Abbey Road Drum series. The Abbey Road Series comes in several flavors: Each kit offers its own unique timbres and possibilities. The libraries will automatically install on the left side of your Kontakt GUI after installing. When confronted with the Abbey Road interface, we are given a picture of the drum set itself. All of the drum elements are represented here, and the drum preferences are automatically selected by MIDI note as a default.
Keep in mind that it takes a little while for the samples to load. To the right of the picture of the drum kit, we are given the instrument selector, mic balance and tuning, and articulation menu. The instrument settings are drum-specific. There are 2 other snares that we can use with this kit that have been matched to the kit. If we select snare 1 or 2, the picture of the snare will change, and a new set of snare samples will be used. Under the instrument name, we have mic settings. In the case of the snare, we have a top mic and bottom mic.
There is a tuning knob here as well for fine tuning the drum The mics will be tailored to the drum, and some mic settings will be different for each drum. In the articulations menu, we are shown a list of all of the available articulations for the given drum. These microphones are placed in such a way to record the sound of the entire kit, either with a stereo pair or with a single mono microphone.
The controls in the Buses view are used to adjust the levels of the master output, master panning and reverb return level. All channels are labeled at the bottom, and the labels are highlighted when editing the channels. Each of these effects can be turned on or off for any of the channels by clicking on the LED next to each effect name at the bottom of the page. The Convolution Reverb includes many impulse samples of some of the best acoustic spaces for acoustic drum production.
The various spaces will then appear at the bottom of the screen. To shift the selection over to reveal more room types, click on the room images to the right and left of the selected image.
To select the room type, click on the drop-down menu above the selected room image. The drop-down menu below the room image allows you to select a specific room preset within that room type.
To adjust the overall level of the reverb, move the fader on the Reverb channel. The amount of reverb in each channel is adjusted with the SEND knobs at the top of each microphone channel. Up to four frequency ranges can be adjusted with high precision. Also available as a fully-fledged product in its own right, this virtual reproduction of a legendary compressor adds presence and drive to your drums without blurring the detail.
The higher the RATIO knob is set, the more the output level will be reduced as the sound goes beyond the threshold. The Tape Saturator adds the simulated warmth of sound that comes from an analog tape machine. The Transient Master can subtly or drastically change the sound of the drums, depending on how you want to use it.
Each channel has its own settings for effect routing and channel output routing, and each mic channel can also be unloaded from memory if not in use. These change the order of which effect comes before the other, depending on your preference in a mix for example, some engineers prefer to use EQ before compression, while others prefer to use it after compression. The signal chain of the effects goes from left to right according to the image, and you can step through the different order presets using the right and left arrows. To unload a channel that is currently not in use from your computer's memory, select it from the drop-down menu represented by a memory chip icon in the top-right corner of the CHANNEL area.
You can always load that channel back at any time. Additional Kick and Snare Controls The Kick and Snare close microphones have additional controls to adjust multiple direct microphone levels: The Grooves page is a browser with a huge library of organized MIDI grooves that can be used to quickly create drum parts for a song or production. You can edit several parameters to change the beats, and all grooves can be dragged into your host. The GROOVE panel at the top right of the page allows you to play the groove with the play button, and select through the variations of that groove with the right and left arrow buttons.
To use a groove in your host, click in the area of the groove name and drag the groove to your track in the host. A MIDI file of the groove will be created in your track.
And the end of each Groove, there is a suggested BPM beats per minute tempo to use, but the grooves can be used at any tempo. To select a Variation, double click on the variation name. After selecting one variation, you can use the up and down arrows on your computer keyboard to select among the variations, or the right and left arrows in the GROOVE panel. A Groove for a particular Genre is a typical beat that would be used for that genre. Similarly, a Fill for a particular Genre is a drum fill that would be used in music for that genre. A Variation has the same general sound and feel of the main Groove or Fill, but has some small changes, ranging from different hi-hat rates to additions of ghost notes to changes of drums used, etc.
The different Variations have key words in their names to identify the changes made in a particular variation, which are listed below: This represents the note division on which the tempo of the groove is played or felt. This is usually based on the instrument that is keeping the time, such as the hi-hat or ride cymbal. This is the instrument that is keeping the time of the groove, typically a hi-hat or ride cymbal. This term is used when a hi-hat is keeping the time, and describes whether the hi-hat is always closed, always open, or uses both closed and open hits.
This term will not be used if a ride cymbal or other instrument is keeping the time. Sometimes an extra word is added at the end to classify the sound of the groove: This is used when there are additional ghost notes added to the groove, such as snare or kick ghost hits. This term is used if a snare sidestick is used instead of a center hit. When additional toms are included in the groove, this term will appear.
If more than one of the above sounds or techniques is used, then the term at the end will be Multi to represent multiple types.
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The center value is the original sounding played beat. Depending on the type of music, all knob positions can be useful for different styles. Swing allows for rhythmic shifting of a groove where the first note in a series plays longer than the one that follows. When the knob is all the way to the right, the swing is the most severe. Different time signatures affect the swing in different ways, so it is often best just to try the SWING knob to see how it sounds with the selected groove. At the center position, the groove plays with the same velocities that were recorded with it.
This can be useful when a song is recorded at a high BPM tempo, but the feel of the song is actually half of that speed or vice versa. The default is a linear curve, but many MIDI input devices have different levels of sensitivity, making a convex or concave curve more appropriate. Different MIDI input devices, such as MIDI keyboards and electronic drum kits, will also need their own velocity setting adjustments to match your playing style.
Each articulation can be assigned to one or more MIDI notes, allowing for your own customized mapping. This is very useful for adjusting the mapping to the way that suits you best when playing the drums with a MIDI keyboard, or for adjusting the mapping to a custom electronic drum setup. The changes will be applied.
If you want to make changes to these mappings, you can always do so and save the mapping preset under a different name. Please keep in mind that every e-drum setup is different, and almost every drum kit has some particularities to it.
Therefore the mapping presets will not fully match your e-drum setup without any adjustments. These mapping presets have been included to provide you with the best possible starting point. You can make additional changes to these mappings and save a new preset to fit your e-drum needs. This option defines whether the drum kit view on the Kit page displays a real-time animation when instruments are triggered played during song or MIDI groove playback.
Switching off the user interface animations may considerably reduce the CPU load. The higher the value of a knob, the higher the range of randomization for the relevant control. The randomized parameters are:. The volume level of the played drum increases or decreases by a random amount with each hit. The velocity of the played drum will increase or decrease slightly, which can trigger different samples above or below the one at the original velocity.
This will add a slight random amount of delay to each hit. The pitch of the played drum will be higher or lower by a slight amount with each hit. This will slightly change the frequency curve of each hit.
Abbey Road 60s Drummer Manual English
Different drums have different frequency ranges, specific to the sound of each drum. For all knobs, turning them a maximum of a quarter of the way up will allow the effect to remain subtle. Turning these knobs up to a high value can be used for a more experimental sound. This is the full version of the Early 60s Kit with all samples and microphones included. This is the full version of the Late 60s Kit with all samples and microphones included.
This is a version of the Early 60s Kit that includes all velocity layers, but has no sound variations for same velocity hits. This kit has a smaller memory footprint as well as a faster loading time than the full kit.
SOUND ON SOUND
This is a version of the Late 60s Kit that includes all velocity layers, but has no sound variations for same velocity hits. This adds a realistic sound to faster playing, as a drummer would also switch to using both hands at fast speeds. At the 0 position of the controller, the open hihat control key plays the fully open hihat.
As the controller sends higher values, playing the open hihat control key will trigger hihat samples that gradually become more closed. Product Design: John Barret and Kris Burton Drums: Ralph Salmins All Drums Provided by: The Vintage Drum Yard: Flag for inappropriate content. Related titles. Sun Dec 11, 6: The file is a iso ext. The NI site has no telephone support that i see. When asking for what product i'm asking support for for email reply , my product isn't listed.
NI-Abbey Roads Modern Drums. - Logic Pro Help
Any suggestions. Mon Nov 16, 5: I can tell you that the Modern, 80's and 90's versions all works with Lion and Kontakt 5 because I'm using them Sounds like your download got corrupted It happens Bear in mind it will only save to and install from your internal system drive or another Mac extended formatted drive.. It will not save to or install correctly from, a Fat32 drive Logic Pro Fri Apr 07, 1: I am running all those kits in Kontakt 5 under So at least you know it should work rather than wait for a reply from NI.
They are really slow but ultimately helpful in my experience. I tried with the disk utility, no go. Installing to main drive etc.