We use for recording audio for our YouTube channel. You have an option to choose the recording source we use it with Blue Yeti mic , recording channel type, audio type etc. As you can see below, it does offer a wider range of control as well. But, the best part about Audacity for Mac is that it comes along with a bunch of editing tools. In fact, Audacity is a digital audio editor , first, and recorder later.
Unlike QuickTime, Audacity lets you perform basic audio editing tasks like editing. You will also find options like effects, voice generation, noise removal, and track-based management. In case you are into professional audio recording and editing, there is a wide variety of Audacity plug-ins to choose from. Another bright side is that you will be able to export the audio recording in almost any format. As we said, Audacity is made for professionals.
Did we say that Audacity is free to use? At least, you would not have to worry about paying a huge amount for your DAW. Simple Recorder is a truly simple solution for audio recording in Mac. Unlike QuickTime and Audacity, which takes multiple mouse click to start the recording, Simple Recorder sits in the menu bar and can start the audio recording in just two clicks.
Best solution when you want to take quick notes. You can select the source of recording from the drop-down menu. It also lets you set up the volume. In just a single button, Simple Recorder would start the recording process. In the Preferences section, you can pick the recording format, Sample Rate, Channel etc. Simple Recorder is the best Mac audio recording app for the intermediate users. Unlike QuickTime, it offers a standard set of customization options. So, if you think you need somewhat control over recording, go for this. Technically speaking, GarageBand is a digital audio workstation, not a digital audio recorder like QuickTime or a digital audio editor like Audacity.
In simple words, if you are into recording audio for music production , GarageBand is one of the best choices in town. However, unlike Audacity, GarageBand has a smaller learning curve and is more stable. It even has a dedicated mode for Voice, where you can also select the type of voice recording.
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For instance, it offers different options for recording Narration Voice and Bright Voice. Just hit the Record button and you can do the exporting part later. GarageBand is the recommended choice for professionals out there.
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If you need the best quality, control as well as performance, you should go for this built-in tool. Although the UI is simple, learning GarageBand will surely help you as an audio professional. Piezo from Rogue Amoeba is a simple and wonderful audio recording software for podcasts. If you want to make some amazing podcast recordings with precision, you can count on Piezo.
If future development carries on and they sort out their effects and audio interface, this is an interesting prospect. Wavasour looks like a complete clone of the Windows version of Sony SoundForge. It even acts like SoundForge — quite how they got away with it without being sued is beyond me. The best part? All good! The downside to Wavasour is that this is an old program which was written, reached V1. They share many common factors with audio editors in that they also record, allow you to edit audio, create effects, but they are designed in a fundamentally different way and are useful for different jobs as well as some which are the same.
What can you say about Cubase. Suffice to say…it is an… amazing… piece of audio software which has been developed for over 20 years having originated on the Atari ST many moons ago. It does literally everything you could ever ask of it. They have, it seems, thought of everything. Aside from all the normal things you can do in a DAW, it has exceptionally brilliant midi capabilities. The new versions of Cubase also have interactive online capabilities so you can collaborate with other artists around the world in real-time. They own it, they develop it — and you can bet that their software works flawlessly with it.
Cubase is robust, professional and simply a joy to use. In terms of support Steinberg also have their act sorted out — you ring up, you get through to a guy called Herman — he talks to you until your problem is fixed. This is the way that all support should be. For voiceover artists, you can probably get away with the Cubase Artists pack which is half the price of the full version as you may not need all the features that provides. This is just a quick note to cover off Nuendo.
This article is aimed at looking at Voiceover Software. Pro Tools was created and developed by Digi Design and then brought out by Avid, makers of film-editing software. It was originally developed in conjunction with Digi Design hardware, which combined ruled the music recording studio world for decades. Not only that, but Pro Tools for years was completely bug-free and rock-solid, a principle that Digi Design held close to their hearts. Versions of ProTools became very buggy, sometimes inexcusably so and it got a lot of bad press. During that time, the recording studio world was shrinking, studio hardware became much cheaper and so did computers, and the world changed — Avid were behind the curve with this and forged on with the studio mixing-desk model regardless.
Then came V12, and things have got much better.
Avid seem to have finally grasped the idea that things have moved on, and have introduced new features such as online collaboration and the program is much more stable and competitive. They also lifted some nifty features from Cubase such as Track Freeze and real-time time stretching. You bet your bottom dollar it is. Pro Tools, for all the moaning above is still the industry leader and a truly brilliant program. Watching a Pro Tools engineer with a good integrated desk makes things look easy.
Pro Tools also has probably the best Grouping capabilities of any DAW on the market, which is simple, intuitive and how it should be. Although you have to pay a fortune for out of warranty support, there is a huge online community and most problems can be solved by searching. It uses the OSX Core Audio drivers so sounds great and runs audio, midi and has lots of great ease-of-use features like Take Management.
It has many different audio editing tools, including nifty speed fades, and has in-built samplers and Flex-Time which allows audio slicing based on transients.
Top 4 Voice Over Software For Mac
As well as all the normal effects, you get lots of instrument racks and instrument effects racks with a good non-destructive audio editor and cool auto-tune functions. Apple like to make things easy for you! Last but not least, making huge waves in the industry is the newest kid on the block, Reaper. This is so cheap in fact, that there is an argument that as a piece of voiceover software, and for all your DAW needs, this is the only choice as it has all the main things you really need.
Previously mentioned, the multitrack section of Audition is basic but functional. This is an important question, and not a stupid question at all. Money and budget is a serious factor, but so is your workflow and productivity. As a professional voiceover artist though, you definitely do need an audio editor. Alternatively, if you record long form scripts, especially those which need mixing to individual files, such as IVR scripts, this is much easier to record, edit and split to individual files in a DAW….
You can evaluate as you see fit. Why Cubase over the others? I genuinely use all three of the big hitters for different things, and I always wish I was using Cubase. Why Sound Forge?
Why Audition on a Mac? For more information on voice acting visit our series of posts on how to become a voice actor. What a useful list — homage to you for the hard work. It is hugely popular, and in my view one of the most nimble and logical of editors. Really productive. In no way would I compare it to the fiddle-fingers Audacity nor, in terms of easy use, with the heavyweight packages such as Cubase that are overkill for mono voice. And, as you say, it takes plug ins and will stack them. The main reason I wrote this article, and also the one about Voiceover Microphones is that and this is just human nature we all tend to be slightly proud and give advice that we currently have or use — you know how it goes — definitely use Twisted Wave and a Blue Yeti, or Audacity and Rode NT1 etc, and I wanted to do a fair comparison of them all.
I have to agree with you Hugh, the SF2 has clever and detailed features, including the high-strength file-splitter and a straight-to-CD burn. Great value for sure. I was trying to download Cool Edit Pro at the location you link to but Chrome is telling me it is unsafe. Have you tested this? I want to make sure I am not getting something nasty along with it.
Does the trial not expire or are there limitations on features? HI Michael — try this: Excellent article, Hugh. I fully agree with the choices, especially Cubase. I settled on Reaper since I have an audiobook focus and major studios, including Audible, have started migrating from ProTolls to Reaper. And, you may want to add OcenAudio to your list of wave editors: Free, and it runs on Mac, Windows, and Linux. If you don't, all your work is LOST!!! That's interesting, I'm quite surprised to hear that as the software states that it is free for non-commercial use with "most" of the features of the full paid version.
Don't select the main download link. Instead use the link to the free version buried in the text. I do not know what's going on there, but all the links point to the same apparent file "http: However what is downloaded is a dmg file and the installed version finally is a version with limited capabilities after some trial. I have to correct myself. The links are different. Although the link of the file showed by the browser is misleadingly "zip" and the files downloaded have the same name, BUT the free version instance eventually works as advertised.
I cant believe Adobe are trying to charge customers per month for using software? I am finally able to enter the digital photography field because of the Adobe CC subscription based model. I am sure you have good reason for objecting, but I get immediate access to thousands of dollars worth of software for an extremely approachable fee. I believe you can still purchase all their products as always, but the CC model lets the the working class have access too.
What is the Best Voice Over Software?
Seriously the GUI, the icons and the waveform of Audacity looks like it's some crappy Windows software. I have been doing DSP for over 35 years. I remember back in the day before wav files even existed and it was all just raw data. These days, I mostly edit by frequency spectral editing instead of amplitude.
David Johnston created Cool Edit, then pro before Adobe bought them out. I get free copies from SW companies all the time. I sandbox them all and I must admit that Adobe has kept their word to David that his foundational CEP program will always be the best. Because of the plugs available, Audition is way ahead of them all. I can not only transpose vocal pitch, but I can also manipulate depth, width, and length of the vocal cavity.
I know and understand why Wayne Newton sounded like a girl when he was young and I give credit to Adobe for that. Other wav editors cant even come close to that, and many other intricacies that you can do like using plugs to manipulate algorithmic sets to make your edits way over the studio standard. Even if it's only me that can hear these differences. Adobe Audition might cost substantially more money, but you get what you pay for.
Just because I am sponsored and get Adobe Audition cost free means nothing. I never asked them for sponsorship, and they know I could care less if they sponsor me or not. As of this 1st day of , Audition IS the best wav editor for single track editing.
Voiceover Software Reviews and Recommendations
I use it as my wav editor for Reaper, which I use as a multitrack editor. Adobe is also OK for mastering although I personally prefer doing that task with outboard hardware type gear. Happy New Year! Morph Mode. Thanks for sharing your experiences. I definitely agree — in terms of features Adobe takes the gold. It's just the way it goes when you've got a dedicated following who are happy to pay top dollar for your products! Mote of a DAW than a simple wave editor, but Reaper is also a pretty amazing value: Are you aware that "five-finger discount" means theft, usually shoplifting?
Your use of the term to refer to "free for non-comercial use" is a bit disconcerting. It felt a bit like I was robbing the developers as I downloaded it for free, because it's quite a powerful bit of software. Yes, thank you! I've used several DAWs, but having had several upgraded out from under me wanting a re-purchase I've been looking for lower-price alternatives. This article got me to download ocenaudio, and so far, I'm impressed! TwistedWave is one. There is an iOs WavePad, but apparently the integration to the desktop is not terribly good hearsay; I haven't tried it.
Might be a topic for a future article.